The latest record, titled Chronologic, widens the boundaries within which they rarely stay, while still referencing their timeless sound. With seven members in total, Caravan Palace is a paint palette for experimentation – “we’re all very different, and it’s a force somehow,” Vial says with enthusiasm. In this opus, we keep mixing old and new, but it’s extended to other genres like blues, soul, RNB, cool jazz, old folk, bossa and even exotica.” “We are known for mixing swing and electronic music.
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“For each new album it’s about a new story: how to reinvent yourself, how to be bold and honest without going too far from what people really like in your music,” Vial confesses, articulate and aware of the joy that the record represents for the band and its fans. On the surface, Caravan Palace sounds like the love child of Chainsmokers and Daft Punk, but unlike the undoubtedly recognisable brands the groups have forged, Caravan Palace steps outside itself and music industry pigeonholing. Thus, for album number four, the band has claimed a ‘more sophisticated’ sound, riddled with musical paradoxes and concurrently, the artistic freedom they seek.
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Caravan Palace, a French electronic music band, traditionally crafts upbeat, positive songs that are ‘necessary for a band and airplay’, but since the 2015 release of third studio album, which garnered top UK TV spot performances for viral hit ‘Lone Digger’, the group has taken a creative detour, much like the character in ‘Miracle’.īorn from the Parisian art world, the band sees itself as a “messy blend of cultural influences”, with lead singer Zoé Colotis’ origins in theatre, Vial’s interest in 20 th Century French impressionist composers, double-bassist Charles Delaport’s ‘chill electronic orientation’ and trombonist Antoine Toustou’s club career as a DJ. That’s what the collective has tried to do sonically, too. The guitarist reveals his love for art that makes people think and which takes a ‘twisted’ turn. Directed by Double Ninja and released on the band’s new, independent label Lone Diggers, the video acts as the band’s attempt to create music without guidelines, with “artistic freedom”, Vial says. Caravan Palace’s yonic animation and feminist angle was deemed worthy of censorship by YouTube, but for what reason? he asks. Off-the-bat, Vial questions artistic freedom in the music industry. By contrast, he says, violent material on the video hosting service “can be watched by 5-year-olds”. Featuring an array of trippy vaginal imagery, the 3-minute animation follows a man stumbling into a powerful matriarchal society in a lush jungle before being restrained and abducted, backed by twangy melodies. “It got age restricted on YouTube,” says Arnaud Vial, guitar and vocals of Caravan Palace, about the band’s music video for the electronic hit, ‘Miracle’, which stands at almost 5 million views.
Fresh, frantic, frenetic and fabulous fun, the festive season can now begin with a cool new party soundtrack.Caravan Palace explore smoky, trippy new album Chronologic.
Their latest album is out today (October 16) and there’s a UK tour to support it just before Christmas, taking in a date at The Forum in North London on December 15. They’ve become live favourites at festivals across Europe, seen rave reviews in The Guardian and The Arts Desk, and now begin their assault on these shores with their British TV debut in front of an estimated three million viewers upcoming on ITV’s Jonathan Ross Show on Halloween. It’s swing meets electro pop with a deliciously cheeky, mischievous grin on its face. This track has pure punter appeal from the off, blending the kind of elements that made Boom Boom and We No Speak Americano massive No.1 hits for Sam & The Womp and Yolanda Be Cool respectively. You’ll understand why as soon as you hear this and want to join the party too. French band Caravan Palace have steadily made a name for themselves under the radar since their 2008 self-titled debut album.
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